Jennifer Jacobs is an Assistant Professor in Media Arts and Technology at the University of Santa Barbara. from Smith College. Research Director CREATE, and Media Systems Engineer, AlloSphere Research Group. 0000003473 00000 n 0000003066 00000 n Department of Art Chandra is an ACM Senior Member and an IEEE Senior Member. His research partners included Garry Kling, Bob Sturm, Aaron McLaren, and John Shynk. Meet Our Team | Kate Farms | Plant-Based Nutrition Formulas Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. Faculty & Staff. Trained in computer science, design, and fine art, Jacobs received her Ph.D. 0000009548 00000 n Professor and B.F.A from Hunter College and the University of Oregon respectively. UC Santa Barbara Santa Barbara, California 93106 (805) 893-8000. Department of Film and Media Studies, 2018 Social Sciences and Media Studies Building. W. Patrick McCray is a professor in the History Department at UCSB. She also received an M.F.A. Assistant Professor 0000001375 00000 n Office: ED 3228, Multiple-Subject (MST, Elementary) Jennifer Richard (Jacobs) Marketing Manager - Aortic & Peripheral Vascular Health, Australia & New Zealand at Medtronic Greater Sydney Area. in Electrical Engineering in 1998 in the area of electron-beam lithography. Faculty | The Gevirtz School (GGSE) - UC Santa Barbara He is the recipient of many prizes for his work, including the 2001 Golden Nica Prize at Ars Electronica together with Carsten Nicolai for their work, polar, and the UNESCO Digital Media Prize for Makrolab in 2004. Please enable it to continue. Department of Germanic and Slavic Studies. Human Computer Interaction Programming Language Design Computational Fabrication. Associate Professor Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. Current projects involve bio-inspired microstructured adhesive materials, non-linear compliant mechanisms, high-power soft actuators,soft exoskeletons, and growing robots. I am strangely not a huge fan of capers. kblackwell@ucsb.edu jennifer jacobs ucsb 0000005074 00000 n Her current music research is focusing on a general purpose interface for control of digital information through natural performance gesture. Tobias holds a graduate degree in informatics from the Technical University of Berlin and MS and PhD degrees in computer science from Columbia University. for a Member company and need a Member Portal account? 0000008235 00000 n She is director of the Expressive Computation Laba group whoseresearchspanscomputational art and design, human computer interaction, and systems engineering. To support this argument, I will present research across three categories: 1) Integrating physical and manual creation with computer programming through domain-specific programming environments. Accessibility "Graphical user interfaces are very useful and quite appropriate for some uses of computers, but the computing landscape is changing: we are moving beyond the days when computers are primarily boxes that sit on a desk, used for spreadsheets and word processing. Computers are increasingly displacing many manual practices in favor of procedural, generative, and automated production. Expressive Computation Lab. More broadly, she works on ways to enable art and design professionals to leverage their domain expertise to quickly and effectively develop personal software tools. His music is available on compact discs produced by the MIT Media Laboratory, Wergo, OR, Mode, and Asphodel. Professor Sarah Jacobs sarahjacobs@ucsb.edu Office: ED 3232. Copyright 2023 The Regents of the University of California. Assistant Professor (Computational Craft and Haptic Media) mscafide@ucsb.edu, Science (Biology, Chemistry, Earth Science, Physics) 0000002325 00000 n Copyright 2023. Peljhan has also been the flight director of ten parabolic experimental flights in collaboration with the Microgravity Interdisciplinary Research initiative and the Yuri Gagarin Cosmonaut Training Centre, creating conditions for artists to work in alternating gravity conditions. Students will be assigned weekly readings drawn from Fine Art, Computer Graphics, Computational Design and Human Computer Interaction texts.Students are expected to complete the required readings and a reading reflection slide by Wednesday at 6pm, as well as engage in group discussions in class on Thursday.Students should also leave comments on at least 2 other reading reflection from their . David Young Elliot Hawkess research focuses on bringing together design, mechanics, and non-traditional materials to advance the vision of robust, adaptable, human-safe robots that canthrive in the uncertain, unstructured world. Jennifer Jacobs is an American journalist who is currently a senior White House correspondent for Bloomberg News. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. Nadya Peek, collaborator Jennifer Jacobs receive NSF award to research Jennifer Jacobs - Google Scholar Supervisor: Maneesh Agrawala. During the series of World Information.org projects, he has installed several communications mapping and interception systems and projects and his research led him to map the command and control communications networks and response during the Srebrenica genocide. He is a recipient of the National Science Foundation's CAREER award, for his work on "Anywhere Augmentation", which enables computer users to place annotations in 3D space wherever they go, employing the physical world as user interface. Extending Manual Drawing Practices with Artist-Centric Programming Tools In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Montreal, QC, Canada, April 2018. 1306 28 In 2000 she began the creation, design, and development of a Digital Media Center within the California Nanosystems Institute. Jennifer Scalzo jscalzo@ucsb.edu Office: ED 3224. Office: room 2205. In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Seoul, Korea, April 2015. His doctoral research examined the culture and technology of glassmaking in Renaissance Venice. Jennifer Jacobs - ISEA Symposium Archives 0000000856 00000 n She has presented her work and research at places such as Blum & Poe Gallery, LACMA, Frieze LA, and SOMArts Cultural Center. Santa Barbara, California 93106-1120. 19 Things You Don't Know About Jennifer Jacobs | BODi - The Beachbody Blog He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional . Gerald H. Jacobs - Google Scholar PhD Massachusetts Institute of Technology Interested candidates should contact us. Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. Computers are becoming more ubiquitous, appearing in a proliferation of shapes and sizes. safeguard properties lawsuit 2017; syl johnson chad ochocinco father Prior to joining UCSB, Jennifer received her Ph.D. from the Massachusetts Institute of Technology and was a Postdoctoral Fellow at the Brown Institute of Media Innovation within the Department of Computer Science at Stanford University. Expressive Computation Lab website: ecl.mat.ucsb.edu. 2. 0000004961 00000 n jjacobs9@gmail.com. Website: ecl.mat.ucsb.edu The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. Major: Black Studies & Sociology. Connect. Follow. Natalie Holdren He holds a PhD from University of California, Santa Barbara, where he was a fellow of the Regents of the University of California, and a Diploma from the Institute for Applied Theater Studies in Gieen, Germany, where he was a student of composer and director Heiner Goebbels and a fellow of the German National Academic Foundation. 0000001534 00000 n Media Arts and Technology, Computer Science, University of California, Santa Barbara loh2o@ucsb.edu Regents of the University of California. Jerry Jacobs | Psychological & Brain Sciences | UCSB Overview Jennifer Jacobs MIT Media Lab His research and teaching focuses on the visual digital humanities, with a special interest in the epistemology and aesthetics of computer vision and machine learning. He has been teaching at Chinas Central Conservatory of Music since 2003 (electronic music composition). Alenda Chang joined the UCSB faculty in 2015, following two years as a digital humanities and environmental literature professor at the University of Connecticut (Ph.D. At UCSB, she directs the Expressive Computation Lab, which investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Single-Subject (SST, Secondary) Tim Dewar tdewar@ucsb.edu Office: ED 2218. personalwebsite Jennifer Jacobs, J Method Fitness, will help you reach your goals no matter what they are and where you are, rom personal training, cycling, running, shadowboxing, movement and mobility, nutrition, etc. jennifer jacobs ucsb More broadly, she examines how to enable art and design professionals to leverage their domain expertise to develop personal software tools. Click Here to Login with UCSB Net ID. His textbook The Computer Music Tutorial (1996, The MIT Press) is widely adopted as a standard classroom text and has been published in French (1999, third edition 2016), Japanese (2001), and Chinese (2011). Professor He has been working on the Makrolab, a project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007, the Interpolar Transnational Art Science Constellation during the International Polar Year (project 417) and is currently coordinating the Arctic Perspective Initiative art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres together with Matthew Biederman.